Creation and destruction, which cannot co-exist in the general sense, face each other in this place. Therefore, these photo-narrative pods represent an intersection point between creation and destruction. Although the site at Tongui-dong will be destroyed in time, their creations have been recorded through a different medium and produce continued discourse thereafter.
Thresholds were received from a place far away, the United States. They document the familiar found in remote landscapes. Personal stories of love, money, sales, and decomposition provide a glimpse into a world that simultaneously provides intimacy, but also confusion. They are strikingly fragile and obviously obsessive. They will return home at the end of their journey.